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The angst and protest qualities of punk music and style have had a strong connection to Latino youth in the U.S., and to the people in Latin America. It is impossible to pinpoint the exact location or moment when Latinos began engaging in the punk subculture. However, Latin American rock began showing aspects of punk music during the mid-1960s with the Peruvian band Los Saicos; this band reflected many aspects of other proto-punk bands such as the Yardbirds. The Saicos were predecessors to some of the most influential proto-punk bands in the U.S., such as New York Dolls, MC5, and The Stooges〔 (【引用サイトリンク】title=Was punk rock born in Peru? author=vice.com ) 〕 However, punk music did not begin to have a wider variety of artists and audience until the late 1970s and 1980s, either in Latin America or in the U.S. By the mid-1970s, the aesthetics promoted by glam rock in the United Kingdom had created a social gap between the audience and the artist. The punk scene that began to sprout during that era shared more commonalities with the youth audience, while still retaining some attributes from glam rock. Punk music presented itself as the voice for white teenage angst, without the arrogance and verbosity of glam rock. The punk genre rooted itself in a music and style that created by the working class without the intellectual posturing of its previous genres. It was a genre created by and for the white working class in the United Kingdom. During the late 1970s, punk's social basis for creating commonalities with its fans, and its integration of style and instruments from reggae allowed for punk bands of different ethnicities to integrate themselves into the social scene in the United Kingdom. == Chicano/Latino Punk == In the late 1970s, many punk bands began appearing in Los Angeles, among them many Latino and Chicano punks like The Plugz, The Bags, The Zeros, Los Illegals, Los Angelinos, Odd Squad, Felix and the Katz, Stains, The Brat. Most of these bands did not consider themselves Latino punk bands, but artists challenging the mainstream like their non-Latino peers. However, in the late 1970s Latino/Chicano punks in East L.A began organizing gigs in their own communities. These bands were part of a punk movement called The East Side Renaissance, who dedicated themselves to bringing to light the local Chicano/Latino bands in their own neighborhoods. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Latino punk」の詳細全文を読む スポンサード リンク
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